Showing posts with label Writing Ideas. Show all posts
Showing posts with label Writing Ideas. Show all posts

Sunday, September 21, 2014

Language Arts Lesson - "Writing: Write Right! Analytic Writing Made Easy"

Writing: Write Right! Analytic Writing Made Easy
Writing has always been a major focus of my middle and high school lessons - second only to teaching my students how develop their higher level thinking skills.  Because of this, I created a number of handouts that summarize my teaching points for this product, Writing: Write Right! Analytic Writing Made Easy

Students are required to bring this packet to class as they will refer to them with pretty much any type of writing- from Daily Openers (Warm-ups) to full-length essays to research papers.   For students just starting to follow the proper essay format, this product will help them to understand the parts of an essay so they can create focused and supported pieces.

Many former students have contacted me from college to tell me that the knowledge they gained from this packet has come in handy in their freshman English classes. They often ask me to send them another copy of the packet.

This Write Right! Analytic Writing Made Easy offers teachers handouts that discuss the basic aspects of writing analytically:
  1. Analytic Writing Made Easy- A 2-page outline, this summarizes the parts of an essay and offers definitions and examples for the crucial and most difficult part of writing an essay- Thesis Statements. It also warns of what to avoid when developing an essay. 
  2. Essay Development Handout- This reveals types of Hooks, Elaboration, Transition devices and Conclusions
  3. Prewriting - Essay Outline- This is the precursor to my Free product,  Language Arts Comprehension Check: Ten Sentence Format http://www.teacherspayteachers.com/Product/Language-Arts-Comprehension-CheckTen-Sentence-Format-16081. This Essay Outline is longer because the Body section shows how to expand details and add paragraphs to develop a full-length essay.
  4.  Essay Format- This handout explains the criteria for typing the paper. It also includes a section on how to correct an essay. With the latter, students show even more ownership of their writing as they earn extra credit. They may choose five weaknesses to revise-grammatical or contextual- but must follow the given format. They earn 1 point for each 3-part correction.
  5. Symbols for Grading Analytical Compositions- I created these to use along with the standard guidelines as they address the majority of student writing errors in my classes.
  6. Self-Assessment Sheet- I find that when students must assess their papers, they actually read the comments and check the areas that the teacher marked instead of just looking at the grade and relegating the paper to the depths of their writing folders.
  7. Analytical Writing Grade Sheet- This rubric highlights 10 factors (up to 10 points for each category) that combine to form the essay's grade- 4 for Content and 6 for Form.


Analytic Writing Made Easy

Prewriting - Essay Outline


Self-Assessment Sheet
 Analytical Writing Grade Sheet




Happy Teaching,





For: Grades 6-12

Tuesday, September 2, 2014

What If? 3 Writing Prompts

Island Survivor Guide
ELA teachers can never have too many writing prompts. This Middle and High School lesson plan offers 3 new activities for students in grades 6-12 to strengthen their writing, understanding of higher level thinking concepts and speaking skills.

The prompts include:
1. Island Survivor Guide
What if you had to stay on an uninhabited island in the Mamanuca Islands chain for 30 days? This island does have a drinkable water source in its mountainous jungle terrain, but food sources are questionable. State why you will be there, list 10 items that you will take and explain why you have chosen them. 

Headline: “Teenager Wins Multi- Million Dollar Lottery”

2. Headline: “Teenager Wins Multi- Million Dollar Lottery”
What if you won $3,000,000 in a lottery? Although you are under 18 years of age, for this writing exercise, you winnings are legally yours. Write the article from a newspaper reporter’s point of view following the given format. 
Note: Keep the Lead Paragraph under 30 words. Body Paragraphs should be 30-45 words. Write in the Inverted Pyramid format by presenting the most important information first and the least important last. This is normal journalistic style, so if anything needs to be cut for space requirements, it will always be from the end of the article. Your article must fit in the provided spaces, only, and



The Perfect Home
3. The Perfect Home
What if you could choose to live anywhere in this world? Where would it be? Where you live right now? Would it be in the High Sierra Mountains? On a Thailand beach? In Highclere Castle? In a high-rise condo in New York City? Who would live with you - your family- a friend- -two Newfoundland dogs-no one? Why is this place- location and type of house- your ideal? Paint a word picture by describing your idyllic home- the place itself, the location and the people/pets who would share this home with you and your reason(s) for this choice. Use the back of this handout if necessary


As an added bonus, in the detailed Teacher Notes, I present another lesson option: "TRY THIS: use any of these activities during the study of any fiction or non-fiction piece to check students’ reading comprehension. In these lessons, students will write from the point of view of a teacher- assigned or student-selected character."

Three activities=Infinite Possibilities. 


Download these lesson plans for grades 6-12 from http://www.teacherspayteachers.com/Product/Writing-What-If-3-Writing-Prompts-1427588 

Happy Teaching,

Monday, June 16, 2014

Language Arts Activity - Oh My WORDs!

Language Arts Activity - Oh My WORDs!
Vocabulary study will become meaningful to Middle and High School students when they make the words an integral part of their writing and speaking. We teachers must offer them a variety of ways to think about the word’s definition, as well as its connotative meaning so that they can make logical inferences about its usage.

The key to word ownership is to offer students a variety of opportunities to use the words repeatedly in order to remove any aura of isolation that remains when they just memorize the meanings for a test. This multiple exposure will help the students become more comfortable and confident with how to use the words.

Like my Vocabulary: 31 Ideas for Teaching Vocabulary
(http://www.teacherspayteachers.com/Product/Vocabulary-31-Ideas-for-Teaching-Vocabulary-634378),  this FREEBIE, Oh My WORDs!,  also has 30 exercises for students to show that they understand how the vocabulary words should be used in context. 

In their writing, students will have to actively think about four elements in order to use them correctly: the word’s definition, its contextual and or connotative meaning, its part of speech, and which, if any, inflectional endings (i.e. –er, -ed, -ing-, s) are necessary when they include them in this piece. 

Language Arts Activity - Oh My WORDs!
Through this reinforcement, each student will add some of the words to his or her oral and written language repertoire.  Reading comprehension will also improve, not just due to the inclusion of teacher-generated words into their personal vocabularies, but also because they are learning to think about how writers choose words to express their thoughts.

I have grouped the exercises as: Warm-ups Writing, Short Writing, and Shared Writing. For the most part, the topics are general enough to be used in conjunction with any word list. Students should complete the Warm-up Writing in 15-20 minutes and the other two categories in twenty-five to thirty minutes. My intention is not to turn these into major writing assignments, but to offer enough depth for the students to develop their thoughts and to include as many words as they could without turning the writing into a contextual word list.

Teaching Idea:

To insure that the students are studying how the words are used and are not just memorizing the meanings, assign a Short Writing the night before the quiz.  The day of the assessment, collect the writings, put them in a stack on your desk, and, while the students are completing the quiz, check off that they are complete.  You can review these pieces quite quickly if you choose to only circle any words that are used incorrectly or are unclear. 


When the students have turned in the quiz, they should choose a peer’s Short Writing and write their reactions to the content of the piece.  Have them underline any vocabulary words that they use in their 100-150 word responses for extra credit. When the time is up, stroll through the room, check that the assignment is completed and note any extra credit that you may add to their quiz grade.



Happy Teaching,


Monday, June 2, 2014

Language Arts Activity - You & Me: Mirror Images or Polar Opposites?

Language Arts Activity - You & Me: Mirror Images or Polar Opposites?
Sometimes students meet characters that seem like their alter-egos; other times they feel that these people are their polar opposites. 

In this FREE Language Arts activity, You & Me: Mirror Images or Polar Opposites?, Middle and High School students choose the character from the story that they are currently studying or from any book that they studied in class this year with which they most identify.

Here are the directions for each aspect of this multi-layered lesson:



Directions Part 1: Choose the character from the story that we are studying or from any book that we
studied in class this year with which you most identify. Fill out the following by comparing and contrasting your similarities and differences with this person.

Language Arts Activity - You & Me: Mirror Images or Polar Opposites?
 Language Arts Activity - You & Me: Mirror Images or Polar Opposites?

In this part of this packet, each student is to relate the physical, mental, emotional, spiritual and moral similarities and differences between the character that he/she chose and him/herself.

After they complete this, they evaluate their information for the qualities that they are glad that they share with the character, those that they never want to share, and those that they wish they shared.

Directions Part 2: Use your information from Part 1 of this activity as notes for the following essay outline. 
After you complete this page, use your Hook, Overview Statement and Thesis Statement to begin a full-length essay showing 
• how you are similar to and different from the character that you chose, and
• how you feel about these similarities and differences.
Detail your main ideas, backing them up with specific facts and opinions from the book and from your own thoughts to develop this essay. 

Language Arts Activity - You & Me: Mirror Images or Polar Opposites?
Essay Criteria:
1. Minimum 500 words; no maximum- write until you have fully developed your points.
2. Type your essay – double-spaced- in the font style and size set by your teacher.
3. Essay Packet: Behind the final typed draft of the essay, attach all of the Part 1 and Part 2 pages of this activity.

Teachers, use this comprehension-developing lesson with the study of any story, or as a culminating end-of-the-year assessment. By the time that they have completed the notes, outline and essay, students will have exhibited their range of thinking skills from knowledge through evaluation. 

Also, this activity allows them to exhibit their understanding of all aspects of the character element of literature as well as their analytic and critical-thinking skills.

Best of all, they will figure out if this character is their mirror image or their polar opposite.

As always, specific standards and Bloom's Taxonomy choices are included in the detailed Teacher Notes. Download this FREE activity from http://www.teacherspayteachers.com/Product/Comprehension-Character-Activity-You-Me-Mirror-Images-or-Polar-Opposites-1263319
 

Happy Teaching,


Tuesday, May 27, 2014

Language Arts Activity - Road Trip Time

Language Arts Activity - Road Trip Time
No matter the time of year, road trips often fill the daydreams of students-and teachers. This language arts lesson for Middle and High School students, Road Trip Time, allows students to live vicariously through the character that they select. These characters may be from:
1. The teacher's pre-made list using stories they have studied in class
2. The student's choice from stories they have studied in class, or
3. Students' choices from their independent reading.

The teacher chooses when this activity will enhance lesson content and will develop reading comprehension as well as writing and higher level thinking skills.

By the time that they have completed this activity, students will have exhibited their range of thinking skills from knowledge through evaluation. These handouts allow them to show their understanding of all aspects of the elements of literature as well as their analytic and critical-thinking skills in their writing and talking.

Here are a few of the requirements from the Directions that students must address:
Language Arts Activity - Road Trip Time
• Where this character goes depends on his/her age, personality, likes, dislikes, and physical, emotional and spiritual needs.
• What is the purpose of this trip- a vacation, a work/vacation combination, a quest, some other reason?
• If the story takes place in this world, the place(s) the character visits on this Road Trip should actually exist.
• If the story takes place in a made up world, create places that could exist and that are true to the story.
• Research and analyze the real or make-believe world Road Trip places to make sure that they fit the real or imagined setting, and all aspects of the character you chose as well as his/her purpose for the trip. 

Students are to complete all three of the Teacher Required Components - 
Language Arts Activity - Road Trip Time

1. Travel Agent Survey - See handout
2. Road Trip Itinerary- See handout
3. Character’s Road Trip Journal- See requirements
as well as one Student Component Choices- See explanations
1. Facebook Road Trip Fan Page
2. Road Trip Tweets
3. Road Trip Scrapbook
4. Road Trip Slide Show
5. Student’s Idea
Note: helpful links for free templates, etc. are given for both the Character's Road Trip Journal and for the Student Component Choices.


Language Arts Activity - Road Trip Time


Whether teachers use this as to end the school year, to begin the new term in the fall, or during the year, at some point, everyone needs Road Trip Time's "Ahh I needed that" interlude. 

This language arts activity is based on specific standards (see the Teacher Notes), assesses Middle and High School students' comprehension, thinking and writing skills and engages students on all of the Bloom's Taxonomy levels.



Happy Teaching,


Thursday, May 16, 2013

Five Ways Writers May Customize Character

Back in 1964, Barbra Streisand sang, "People, People who need people, are the luckiest people in the world," for the musical, Funny Girl. Although she was addressing how much humans need companionship from other humans in her iconic song, she could  just as well have been singing to writers, too.

Obviously fiction authors need people. Where would Moby Dick be without Ishmael, The Shining without Jack, The Color Purple without Celie or Othello without Iago? Non-fiction writers' stories
Middle and High School ELA Lesson Plans- Customizing Character
would be drab and lifeless without people to create word pictures from the writers' thoughts and opinions.

The conundrum questioning whether Characters were created before Plot is as strong a controversy for writers as the Chicken vs. Egg argument is for any enquiring minds.

My story ideas have always germinated with a person, one involved in a contentious situation for sure, but still, a person. A Fine Line, my young adult novel about teen dating abuse was the result of one too many adolescent girls showing up for class with bruises. When I asked Jennifer,  a fifteen-year-old with deep purple-green-yellow bruises stair-stepping up her arms what happened, she said, "My boyfriend and I had a fight... but it was my fault."

"Hold it right there," I said as I held up my hand, palm out, to ward off any more attempts she might offer to excuse her boyfriend's actions.  Over the next few weeks, as we discussed teen dating abuse and possessive, obsessive relationships, my story was born.  But first, first I needed a person to showcase.

This person would show herself through her thoughts, words and actions, which would be seen, heard and analyzed by the other people in the story, ergo, I needed rising action and a climax and falling
Middle and High School ELA Lesson Plans: Customizing Character
action and a resolution. Yes, I had to have a plot, too. Without one how would the character reveal the "me nobody knows" hiding beneath her bruised skin or behind her sad eyes?

And so the conundrum continues. The only way that I know to answer it is, "Character and Plot are separate by definition but so tightly meshed in action that one could not exist without the other". Like a phoenix from the ashes, a character emerges from the plot, but a plot wouldn't subsist without people to bring on the conflict.

For this post, I want to deal with the separate, but all-important development of Character. Students need to learn how to develop a character in a series of word pictures-Kodak moments- so to speak. They can do this by exploring the person forming in the attic of their brains. They need to not only be able to describe how the person looks (physical being) but to dissect their person just like marketers do. Why for example, does Person A like Crest toothpaste and person B like Aqua Fresh?  What does this selection show about each individual? Why does Jill love dogs, the bigger the better, and Jack adore furry angora cats?

Middle and High School Lesson Plans: Customizing Character
And if...if students are to create these Kodak moments in readers' heads, than they must learn how to Show, not Tell. Few people like to be told anything; they want to toss around the facts, details and opinions shown to them and come to their own conclusions.

I used to give students a few words and they had to show this person, such as: woman and park bench. Students new to this ultra-important Show not Tell writing commandment would respond with something like, "The old woman sat on the bench in the park." Now that was a complete sentence, but what did the reader see? Was the woman old, young, rich, poor?  Was she thrilled with life or beaten down by it?

Veteran writers would pen, "Mabel clutched the iron arm of the splintered bench with her gnarled hand for support and winced as her hips creaked into a sitting position. Tears wound through the wrinkles creasing her face as she eased a stained envelope from the torn pocket of her grey sweater."

Yes, this example uses over 4 times as many words, but it creates a clearer word picture. After the author would read it  aloud and write it on the board, I would ask my students to copy it down, to close their eyes and allow a picture of this woman to form in their heads, and then to write 2-3 sentence Showing more about her: Why was she so sad?  Did she live alone? Where? What kind of a place? Who was the letter from? Did she cherish it or did its words fill her with dread?

A word picture will make readers ask, "More, please." It will pull them into the lives of the characters and the plot/conflict.  It will make them wonder, to be thrilled or saddened or angered. It won't make them shrug with indifference and respond, "So?" as a telling sentence like, "The old woman sat on the bench in the park" does.

Today's FREE activity allows writers to unlock the secrets that make their characters unique individuals. With the five Warm-Up topics, students will learn how to customize each character with  specific, focused word selection and to create word pictures by Showing, not Telling. It is aligned with Common Core Standards and Bloom's Taxonomy, and comes with a detailed page of Teacher Notes as well as a suggestion on how to use this product with literature that you are studying in class. Download it from:  http://www.teacherspayteachers.com/Product/Activities-Customizing-Character-Writing-Warm-Ups-699757
Middle and High School Lesson Plans-Customizing Character
How do you help students to develop character in their writing?  Please share your ideas here.

Happy Teaching and Writing,















Thursday, March 21, 2013

Writing Right-Reeling in Readers


Writing Right- Reeling in Readers

Writing Right-Reeling in Readers
"Exhausted from a day spent with students, the majority of who displayed their impacted wisdom teeth mode during class discussions and feeling as if her head was clogged with cold oatmeal, Delaney plucked the first frayed red folder from her worn classroom carry-all. 'Oh, why did I have to pick fourth period first,' she said. A groan rolled from her throat as she leaned back and ground her fists into her eyes, her attempt to sting them into life.
'They hate to write and it shows.' She shuffled through the papers, skimming the first paragraph of a half dozen narrative essays discussing, 'My life-changing moment'.  The only writing most of her fourth period juniors cared about was texting.  For them, writing a complete sentence with properly spelled words and no texting abbreviations was almost impossible.  She yawned as she picked up her purple pen, 'I just wish they cared enough to hook my interest instead of putting me to sleep.'"
Does this scenario ring any bells? Okay, I might have exaggerated a tad. Compared to the fantastical stories my Teaching of English professors fed my peers and I, though, where soon we would be begging, “More, please,” when faced with mountainous stacks of perfect essays because all of our students loved to create word pictures and to write right, these paragraphs exude realism.
In this age of testing and data collection, ELA teachers are challenged to empower their students to proficiently follow an: Introduction (with a thesis)- Body (supporting material)-Conclusion (wrap-up and final thought) format. Various titles for each of these sections exist, but they all boil down to: Introduction-Body-Conclusion. 

What you don’t see mentioned in the various essay outlines is the word Hook. That’s usually saved for creative writing. Why? Don’t those who read essays, for work or recreation, deserve to be lured into writing, too? If we want our students to write pieces that we want to read, our lesson plans must include activities where students can practice writing Hooks.

I discuss this basic aspect of writing in my book, The House of Comprehension. Here is an excerpt from the book:
“If students are to write right, they need to learn to reel in their readers. One of the most important elements of writing is to engage the reader. Good writers know that they must snag readers with the first few sentences. If they don’t, chances are the piece will sink into oblivion. Think of the lead sentences as a fishing hook, and every word that forms each sentence as the bait. The hook has one main purpose: luring readers to the writer’s world.

Writing Right-Reeling in Readers
Readers are more apt to keep reading if the writer grabs their attention.
TYPES OF HOOKS:

• Anecdote: relates an emotional or exciting part of a situation
The longer my fingertips wrapped themselves in the scarlet and gold cashmere scarf, the
more my desire for it mushroomed. I closed my eyes, visualizing my neck decorated like
October’s maple trees. My yearning blocked any common sense from my brain. “Just this
once,” I argued to myself as my hands edged the treasure toward my jacket pocket.
• Description of person, place or object: paints a word picture
At eleven o’clock every day, Maude hobbled to the wooden bench in the loneliest corner
of the park and slumped onto its splintery slats. After easing a wrinkled letter from its
envelope, she would study it again and again as tears dripped from her faded blue eyes
onto her tattered gray sweater.
• Example: Develops a specific instead of a general idea
Many factors can erode teenagers’ academic success. Among these are lack of sleep,
extra-curricular activities, and procrastination.
• Stance on an issue: clarifies the writer’s opinion on a controversial point
Any high school that chooses to delay the start of school by an hour or more might as
well have a funeral for interscholastic athletics.
• Startling fact or statement: to shock the readers
Four out of ten adolescent girls will be the victims of dating abuse.
• Question: this is an acceptable format, but is a very, very weak choice. The purpose of
writing is to answer the readers’ questions.
CHOOSING THE RIGHT WORDS:
• Strong concrete nouns and adjectives: help create clear mental pictures. They destroy
haziness, erase questions, and incite emotional responses. The use of sensory imagery
(sight, smell, taste, touch, and hearing) lures readers. Every sentence should contain at
least one sensory imagery appeal.
• Vivid verbs: Verbs are the backbone of writing. Without vivid verbs, writers’ words will
collapse. Verbs MUST combine the subject’s action plus his/her emotion while performing
this action.
EXAMPLES:
Weak noun:
car
Concrete noun:
Ferrari
Weak adjective:
nice
Strong adjective:
sleek
Weak verb:
drove
Vivid verb:
roared
Weak sentence:
The nice car drove into my driveway. It changed my life.
Strong sentence:
The sleek, red Ferrari roared into my driveway that golden
fall afternoon, destroying my shy-girl image forever.”
Whether our lesson plans are for elementary, middle school or high school students, we must snag our charges' interest and entice them to write by baiting our lesson plan hooks with a multitude of opportunities for them to own their writing because they are involved emotionally.

During a mini-lesson, allow them to practice writing the various types of hooks shown above while incorporating strong nouns and adjectives and vivid verbs. In a matter of minutes, they will experience AHA moments when they see that their writing will tantalize even the most reluctant reader when it flexes one of the types of Hooks along with vocabulary muscles.
Writing Right-Reeling in Readers
When and how do we do that considering the pressures to concentrate on the Introduction-Body-Conclusion? Here are a few ideas where students can practice baiting their writing hooks following the mini-lesson(s):
A. Warm-ups:
1. Let students choose a topic in the Reel in Readers With Magnetizing Hooks handout and give them 10 - 15 minutes to write a two to three sentence hook.
2.  Have them turn clichéd expression into fresh similes or metaphors: examples: This sandwich is as dry as dust; The actor/actress was not the sharpest crayon in the box, or The ballerina was as pretty as a picture.
3. Write one sentence each for something heard, seen, smelled, tasted or touched, making sure that the reader mentally experiences  that sense.
B.  Write Now Moments:
1. Hand out the Reel in Readers With Magnetizing Hooks activity. Have the students choose a topic to develop: for a Warm-up, during the time after they finish an assessment but while their peers are still testing, or any time you have a few minutes to fill-like at the end of a period.
2. For each response, let students choose the type of writing: fiction, narrative nonfiction, personal essay, descriptive piece, expository essay, newspaper story, etc.
When students know how to reel in their readers, they will make their teachers exclaim, “More, please,” because they will be hooked by the introduction. They will capture the interest of the people who rate standardized test writing responses, and, most importantly, they will embrace writing because they are Writing Right.

For some terrific articles on teaching kids to love writing and loving what they write, check out the blog: http://thatwritinglady.com/.


Happy Teaching,